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Editorial work has my heart! My inspirations range from any editorial image I've ever seen of Nicola Coughlan, the work of Wez Anderson and all the images Fred Astaire's character takes of Audrey Hepburn in 'Funny Face'. I love to use movement and framing as a way to bring life and breath depth into commecial work. We're nothing without a story.

I'm not saying I shoot my editorial portairs like I'm Cecil Beaton in The Crown, reciting a soliloquy as we shoot, but no one buys into an image that feels flat or lifeless. I use music, movement and apply a narrative through the day to create images with depth, intrigue, interest and life. I love to work with brands and creators to bring these stories and visions to life.